Re: Alaska Nanooks 2013-14 Season Thread - On the Road to Perdition...
This stuff isn't magic - it's basic sports and action video-ship for, what, about 50 years.
Any student and student director with just 10 minutes of orientation would know better than to try to follow a hockey game with a single camera at any setting other than what you guys are describing (wide enough so that about 1/4 to 1/3 of the rink is in the frame).
If they're zooming and trying to follow like you say, it's really beyond a rookie mistake to the level of a clueless mistake.
And note, I'm well aware that these guys are probably students. But I was a student learning basic videography back when "portable" cameras were really, really heavy. That was what we were taught literally on day one. No experience required to know that.
If you want to use anything except wide angle, you have to have multiple (at least two) cameras, with one set wide at all times, and a director who can call shots and switch. But even that is very, very elementary stuff which I believe any one of you could do competently with about 1 period of guided practice by someone who knows what they're doing. The wide camera always follows the action from a "distance" and the close-up or tighter camera grabs shots which the director switches to with the "safety" of the wide camera always available for an instant switch when (a) the shot is lost or (b) just to keep things moving and interesting.
This stuff isn't magic - it's basic sports and action video-ship for, what, about 50 years.
Any student and student director with just 10 minutes of orientation would know better than to try to follow a hockey game with a single camera at any setting other than what you guys are describing (wide enough so that about 1/4 to 1/3 of the rink is in the frame).
If they're zooming and trying to follow like you say, it's really beyond a rookie mistake to the level of a clueless mistake.
And note, I'm well aware that these guys are probably students. But I was a student learning basic videography back when "portable" cameras were really, really heavy. That was what we were taught literally on day one. No experience required to know that.
If you want to use anything except wide angle, you have to have multiple (at least two) cameras, with one set wide at all times, and a director who can call shots and switch. But even that is very, very elementary stuff which I believe any one of you could do competently with about 1 period of guided practice by someone who knows what they're doing. The wide camera always follows the action from a "distance" and the close-up or tighter camera grabs shots which the director switches to with the "safety" of the wide camera always available for an instant switch when (a) the shot is lost or (b) just to keep things moving and interesting.
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